Loyalty

from $72.00

Volume:

FÀP ESSAYS · PROFILE
10 / 2022

LOYALTY

Artist — Adam Linder
Perfumer — Mark Buxton
Medium — Dance
Status — Available

»Nowness with inspirations of the past. From Monotone to technicolor.«

Adam Linder left the Royal Ballet at twenty-one and spent years away from its strict vocabulary. Then he came back — not to resurrect it unchanged, but to operate on it. Loyalty (2021), his ballet in three acts set to the music of British avant-garde band Coil, moves from monochromatic discipline to naked, crude physicality to luscious, warm partnering — each act with its own temperature, its own scent. The fragrance translates devotion: what a dancer's loyalty to form — practiced daily, abandoned, then reclaimed — smells like.

SPICY · WOODY · ANIMALIC · FLORAL

MATERIALS
bergamot, ginger, saffron, ambrarome, benzoin, costus, patchouli, animal notes, oud, cypriol, gaiac wood

Each bottle carries its own artwork.
Arrives in its handcrafted box from Hokkaido.

Read our conversation with Adam Linder. → INTERVIEW
Prefer to begin smaller? → DISCOVERY
The full story lives in the archive. → ARCHIVE

FÀP ESSAYS · PROFILE
10 / 2022

LOYALTY

Artist — Adam Linder
Perfumer — Mark Buxton
Medium — Dance
Status — Available

»Nowness with inspirations of the past. From Monotone to technicolor.«

Adam Linder left the Royal Ballet at twenty-one and spent years away from its strict vocabulary. Then he came back — not to resurrect it unchanged, but to operate on it. Loyalty (2021), his ballet in three acts set to the music of British avant-garde band Coil, moves from monochromatic discipline to naked, crude physicality to luscious, warm partnering — each act with its own temperature, its own scent. The fragrance translates devotion: what a dancer's loyalty to form — practiced daily, abandoned, then reclaimed — smells like.

SPICY · WOODY · ANIMALIC · FLORAL

MATERIALS
bergamot, ginger, saffron, ambrarome, benzoin, costus, patchouli, animal notes, oud, cypriol, gaiac wood

Each bottle carries its own artwork.
Arrives in its handcrafted box from Hokkaido.

Read our conversation with Adam Linder. → INTERVIEW
Prefer to begin smaller? → DISCOVERY
The full story lives in the archive. → ARCHIVE

Adam Linder works with choreography in multiple formats; his pieces are often presented on stage or in an exhibition space. Linder’s practice focuses on the specifics of dance and how the medium relates to notions of value, desire, technology and collective psyche. At age of fifteen, Linder was scouted by The Royal Ballet School in London and left Australia to pursue a career as a dancer. Linder’s rigorous early training was later consolidated during formative years spent performing with Michael Clark Company and Meg Stuart’s Damaged Goods where he developed the critical and experimental strands that inform his choreographic work.

Photo by:
Shahryar Nashat